Patrick Hussey's blog

Live Review: Brooke Parrott at the Regal Room

by Patrick Hussey

The Regal Room is a live music venue on top of a jazzed up pub in Hammersmith. Last night, moments away from a bouncing, spotty horde watching Slipknot in the nearby Apollo I nibbled poshed up fish and chips and took in their weekly acoustic night.

Hold on...Hammersmith. Weirdest place on earth right? That drain hole roundabout, the way the streets lead nowhere, the puddling shadows beneath that famous flyover.

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Hussey’s Riot: La Clique / Brett Haylock

by Patrick Hussey

In a transformation both spiritual and physical the elite cabaret La Clique have landed in London, bringing variety back to the Hippodrome - a venue synonymous with the West End at its least discerning. Patrick Hussey meets the man behind the action, the fellow brushing the sparks from his shoulders – Brett Haylock.

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Hussey's Riot: 'Scratch! my BAC'

by Patrick Hussey

The first and most obvious star of the Scratch new theatre festival is the building. Where have they been hiding the Battersea Arts Centre? Well Battersea obviously but very efficiently, I had never once heard of the place until I tiptoed up its steps last Wednesday night.

I had been promised new and engaging creativity, Scratch puts on deliberately informal and experimental theatre which I certainly got but on the way there I was struggling.

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Hussey's Riot Interview: 'Miss Behave'

by Patrick Hussey

There are only five female sword swallowers in the whole world. During rehearsals for her new variety spectacular at the Roundhouse Patrick Hussey talks to the best, cabaret sensation Miss Behave.

Its an obvious question but you have to ask. How did you discover you like swallowing swords? Miss Behave takes a moment then gives me some flip depth.

'Well I'm pretty oral' she jokes, 'Yes everything likes going in my mouth. Beer, cigars, why not swords?'

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Theatre Review: The Colorado Session

by Patrick Hussey

There is something about the white South African accent, especially in men. It suggests something to my London ear, conjuring images of lemon highlights,chunky watches and a unique brand of snorting, petty fascism.

In fact, let's be honest, when most people hear that accent you almost see the word 'RACIST' light up above the speaker. Somewhere inside you think wanker and turn away.

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Hussey's Riot: Florence & The Machine

by Patrick Hussey

Just the other day, Patrick Hussey met with Flo from Florence and the Machine, along with her pal, Mairead from the Queens of Noize to discover more about this live wire who’s set to stir our spirits during this summer of love.

I am sitting in a Shoreditch pub jacked up to near quivering on Lemsip but not just any old Lemsip. It’s the powder kind that comes in little tubes and tastes like hospital floors. I keep pouring the fizzy dust into my mouth.

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Review: 'Chelsea Hotel'

by Patrick Hussey

Chelsea Hotel Manhattan

Patrick Hussey reviews Joe Ambrose’s book on New York’s Chelsea Hotel, the first factual book on the building featuring conversations with William Burroughs, Paul Bowles, Gerard Malanga, Victor Bockris among others.

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Hussey's Riot: 'B-Club'

by Patrick Hussey

Just when I hate London, when I see it as a focus less nowhere this city offers something. It was the B-Club that gave London it's chance last week, an event that to begin with I felt was an aimless (perhaps heartless is the word) night attended by fashionista shells, those vanilla souls in hipster disguise. It wasn't actually and because of this unusual night I got a treat. London showed me one of its hidden places, a jewel normally swept back in its grey folds...the Temple Room of the Andaz hotel.

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Hussey's Riot: 'Sweep Me Off My Feet'

by Patrick Hussey


Photo by Gemma Whelan: 'Rod Lightning and the Bear Cupids'

Patrick Hussey attends a romantic flash mob (or rather a 'Stolen Moment') at the steps of Eros.

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Hussey's Riot: Secret Cinema's Fabien Riggall

by Patrick Hussey


Patrick Hussey meets Fabien Riggall from Future Shorts / Secret Cinema to talk rave culture, revolution and the ideal film

When you climb to the Future Shorts office, lodged at the very top of a ragged Soho stairwell, you are greeted by their red door and a curious sign.

‘This is the Future Shorts office. No prostitutes work here.’ It makes me wonder just what vetting process the staff go through and as a young woman opens the door I ask ‘Is that a joke?’ and point at the sign

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